Komok Maps a Controlled Descent into Sound on “#ENT3R#7HE#V01D#.”

“#ENT3R#7HE#V01D#” is less a track and more a calculated immersion into Komok’s expanding sonic universe. The London-based project, led by Alessandro Inglima, continues to reveal its identity through experimentation rather than repetition, and this fourth extract from the upcoming Protopia album reinforces that intent with precision.

From the outset, the composition avoids a predictable structure. Instead, it unfolds gradually, pulling the listener into a space that feels suspended between memory and simulation. There’s a clear imprint of Inglima’s background in film scoring; this is music that thinks visually. Each layer feels like part of a larger scene, evolving with purpose rather than looping aimlessly.

The influence of retro gaming textures and acid house is present, but not in a nostalgic or imitative way. Komok reframes these elements, using them as raw material to construct something more abstract. The synth work, particularly in the latter half, becomes the defining force expanding, distorting, and eventually dominating the entire sound field. It’s intense without being chaotic, controlled without feeling rigid.

What stands out is the discipline behind the unpredictability. This is not random experimentation; it’s guided exploration. Inglima’s transition from bassist to electronic composer is evident in the way rhythm and space are handled. There’s a groove embedded beneath the surface, even when the track leans into its more atmospheric tendencies.

“#ENT3R#7HE#V01D#” doesn’t aim for immediate accessibility. It asks for attention and rewards it with depth. In doing so, Komok positions himself not just as a producer, but as a builder of environments, someone more interested in shaping experiences than chasing trends.

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