Sabrina Nejmah Confronts Online Hate with Sharp Wit on “I Can’t Love You”
At just seventeen, Hamburg-based singer-songwriter Sabrina Nejmah takes on a distinctly modern fracture point in “I Can’t Love You.” The 20...
Feature Spotlight
Midnite Radio’s “Auntie” EP Turns Theatrical Rock into a Personal Reckoning
Midnite Radio’s six-song debut EP Auntie, documents the convergence of long-standing friendship and deliberate craft. Formed by Lebanon, Te...
Baaj & Baaj Channel 80s Synthpop Resilience on “Don’t Give Up.”
“Don’t Give Up” by Baaj & Baaj is a focused statement of intent from a one-man project rooted in Cognac, France. Every element of the tr...
Rare Elements Confront Human Self-Destruction on “Shadow of the Black Sun”
On “Shadow of the Black Sun,” Tampere-based metal project Rare Elements delivers a tightly executed statement on human excess and consequen...
Kat Madleine Revives 90s Power-Pop with Emotional Precision on “I’ll Be Right There.”
With “I’ll Be Right There,” Kat Madleine positions herself firmly inside the lineage of 1990s power-pop while refusing to treat nostalgia a...
Almost Morning’s “halfen” Documents Burnout, Isolation, and Control in Minimal Form EP
With her seven-song EP Halfen, New York City artist Almost Morning delivers a tightly controlled study in emotional fatigue and internal wi...
Mogipbob’s “High on the Hog” Balances Prairie Storytelling with Modern Experimentation Album
Jason Graves, recording under the name Mogipbob , approaches High on the Hog with clarity about his priorities: songwriting first, productio...
Paul Louis Villani Crafts Intimate Self-Reckoning on “Makes Me Happy”
Melbourne multi-instrumentalist Paul Louis Villani approaches “Makes Me Happy” with deliberate independence. Written, performed, and record...
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