Afaq Art Production Elevates Sufi Poetry and Orchestral Excellence on “Bejamalen (With Beauty)”

Afaq Art Production approaches this release with clear artistic purpose, transforming a classical Sufi qasida into a richly orchestrated work that respects its literary origins while presenting it through a contemporary musical language. The result is a composition that values substance above spectacle and invites listeners into an experience built on reflection, beauty, and musical craftsmanship.

Written and composed by Sheikh Abd Al-Ghani Al-Umari Al-Hasani, the piece carries the philosophical depth expected from one of Morocco's respected Sufi scholars. The poetry explores divine love, spiritual awareness, and the pursuit of knowledge before concluding with heartfelt praise of the Prophet Muhammad. These themes demand sensitivity, and the composition never allows the music to overshadow the words. Instead, every melodic movement supports the emotional and spiritual weight of the text.

Ziad Kamal delivers a remarkably disciplined vocal performance. His background in Arabic maqams, violin, and oud is evident in his phrasing and tonal control. At just twenty-four years old, he sings with maturity, avoiding unnecessary embellishment while allowing every line to unfold with dignity and conviction. His voice carries both technical precision and emotional sincerity, making the poetry feel immediate instead of historical.

One of the release's greatest achievements lies in Maestro George Kolta's orchestral direction. His arrangement successfully merges Eastern musical traditions with classical Western orchestration without forcing either tradition to compromise its identity. The strings, Arabic instrumentation, and orchestral dynamics breathe naturally together, creating a soundscape that feels expansive while remaining rooted in authentic Arabic musical heritage. Syncop Orchestra performs with elegance, giving the composition both grandeur and intimacy.

The nearly three years invested in the production are evident throughout the recording. The sound engineering by George Yacoub provides remarkable clarity, allowing each orchestral layer and vocal nuance to occupy its own space without overwhelming the listener. The production never seeks unnecessary modern polish; its strength comes from balance, restraint, and respect for the composition itself.

“Bejamalen (With Beauty)” demonstrates that traditional Arabic music continues to evolve without abandoning its foundations. Afaq Art Production proves that authenticity and innovation are not opposing ideas when guided by knowledge, scholarship, and artistic integrity.

This release is more than another orchestral performance. It is a carefully constructed artistic statement that bridges poetry, faith, history, and musical excellence into one cohesive work. In an increasingly fast-moving musical landscape, “Bejamalen (With Beauty)” stands as a reminder that lasting art is often built through patience, cultural understanding, and unwavering respect for its roots.