Ana Pê Builds Nine Songs From Years of Listening to Children on "Músicas para Brincar, Ventar e Voar!" Album

Ana Pê spent more than two decades working as a theatre educator before making this record, and that experience shows up directly in the album's structure. Rather than writing generic children's songs, she built each of the nine tracks around real conversations and real moments she witnessed while working with children and adolescents in the classroom, which gives "Músicas para Brincar, Ventar e Voar!" a foundation closer to documentation than invention.

That grounding is clearest in how specific each song's subject actually is. "Bloco das Crianças" addresses diversity and belonging. "Mãe Natureza" takes on environmental awareness. "Quem Disse Que Menino Não Chora?" permits children to express emotion without shame. "Meu Corpo, Meu Templo Sagrado" teaches body autonomy and the right to say no, framed with warmth rather than fear, contributing to abuse prevention through language kids can actually understand rather than avoiding the subject entirely. None of these songs settle for surface-level comfort. Each one trusts children to sit with a real idea rather than a simplified moral.

The album refuses to stay in one lane, moving through march, xote, rock, blues, MPB, baião, and ska, a range that mirrors the emotional range of the subject matter itself. Produced by guitarist Luiz Brasil, with arrangements shared alongside saxophonist Daniela Spielmann and a roster of respected Brazilian musicians including Charles Gavin, the record carries genuine musical craft rather than treating children's music as a lesser category deserving less care.

Currently pursuing a PhD researching art and adolescent mental health, Ana Pê approaches this album less as entertainment and more as a tool, one built to help children name what they feel, understand their own boundaries, and recognize that difficult emotions like grief and fear belong in conversation rather than silence. That intention, patient and specific, is what makes the record matter beyond its melodies.