Ronald Hage Starts Every Track at an Acoustic Piano Before Building "Paragliding"

"Paragliding" started on an acoustic piano, not in a DAW. Ronald Hage searches for a melodic idea by hand first, then moves it into software and layers in drums and synthesizers afterward. That order shapes how the track actually functions. Instead of coming from a preset arrangement or algorithm-assisted structure, its foundation comes from a real melody worked out before any software was involved.

That process fits Hage's broader approach as a producer. He's been direct about avoiding AI and auto-arrangement tools entirely, building every element of his tracks himself in his home studio in The Hague. In a genre where templated drops and pre-built kits are common shortcuts, that hands-on discipline is worth noting, since it shapes how deliberate and specific "Paragliding" ends up sounding rather than interchangeable with countless similar releases.

Clocking in at 136 BPM in A minor, the track delivers the driving, uplifting energy Hage has become known for, drawing loosely on artists like Korolova, Miss Monique, and Youna without imitating any of them directly. "Paragliding" marks his eighteenth release in roughly eighteen months, a pace that reflects genuine discipline rather than rushed output, since he's stuck to releasing new material every four to six weeks throughout that stretch.

That consistency says as much about Hage as the track itself. He's building toward international recognition one steady release at a time, refusing shortcuts in a genre where they're increasingly common, and "Paragliding" stands as another honest, hand-built entry in that ongoing effort rather than a one-off attempt at a breakout moment.